#Like father like son korean movie movie#

There's no over-the-top theatrics, a lot of the strongest moments, dramatically, are incredibly subtle. It lends an air of realism and credibility to the story. As mentioned the acting is absolutely fabulous, completely naturalistic and organic.

#Like father like son korean movie movie#

It's a tired theme, but at least this movie uses it in an effective way. It can improve your social stature and give you a comfortable life, but not much else. So there's the universal theme that money doesn't buy you real happiness. In a cliche theme, however, the other couple, with their more simple and modest lifestyle have achieved a level of happiness that Nonomiya and his family simply have not. Nonomiya looks at Keita's biological mother and father with contempt and superiority because of his wealth. It's an exploration of nature vs nurture, social structure and how that affects the relationships between both families. One of the film's strongest points, other than its writing and beautiful acting, is how the story looks at how it affects everybody involved and not just Nonomiya or his wife. It's in no way acceptable that he'd be so distant to his son, regardless of whether they share the same blood or not, but it does reveal a side of his past that clearly has affected him greatly. Which reveals why he acts the way he does once he finds out that Keita isn't his biological son. You don't really get to find out what happened, but it's got something to do with his stepmother. The story is certainly very layered, there's a reason why Nonomiya, Keita's adoptive father, I suppose, is as detached and cold as he is with everyone. It would've felt exploitative and cheap if there had been any other method used. I think the film's subtlety and contemplative tone was certainly needed for this type of story. All of this is done very subtly, of course. They, very obviously, want to go back to the place they grew up on and to be with the people both of them know to be their parents, whether biological or not. Understandably enough, the kids don't really comprehend why they've been uprooted from their normal situation. They just know that they're being removed from the household they've known, Keita from his privileged household and Ryusei from his more modest but happier household. And how this affects the kids as well, they don't know what's going on. It brings up a lot of interesting questions about this type of situation and the pain it must bring to those involved. And I mean heartbreaking in the sense of what it must be like for the parents, who've spent six years caring and nurturing this child, growing to love him/her and then having the bombshell dropped that they were given the wrong child. But whereas others use the concept to tell a melodramatic story, this uses its more contemplative tone, a Hirozaku Koreeda trademark, to tell a thought-provoking character study that is heartbreaking without ever feeling exploitative.

The film certainly has familiar themes, switched at birth, there's even a show that deals with this concept. Enough of that however, this might be the best Japanese film I've seen since Departures, a film I gave a perfect rating to. So, as of now the rating is 4 stars, if it's 4.5 when I publish it then you'd know it was better than I originally thought it was. Regardless, sometimes as I write these reviews, upon going back and analyzing it, I end up liking the film more or less, obviously depending upon the quality of said film. In the long run it doesn't really make a difference, nobody's gonna end up watching this film based on whether or not I give it 4 or 4.5 stars. Ryota is forced to make a life-changing decision, to choose between 'nature' and 'nurture.' Seeing Midori's devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a 'father' all these years.I'm debating whether or not I should give the film 4 or 4.5 stars. Their 6-year-old son, Keita, is not 'their' son - the hospital gave them the wrong baby. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Would you choose your natural son, or the son you believed was yours after spending 6 years together? Kore-eda Hirokazu, the globally acclaimed director of 'Nobody Knows', 'Still Walking' and 'I Wish', returns to the big screen with another family - a family thrown into torment after a phone call from the hospital where the son was born.